Masculinity in victorian gothic novels

Stephenson's novel depicts the masculine as a vehicle of self denial where the protagonist Jekyll will not allow himself to surrender to his immoral alter-ego. In a similar way, the novel Dracula depicts sexual power as a major threat to masculinity, whereby the male characters refuse to permit the females to act upon their sexual desires for fear that such liberation will destabilise patriarchal control. Whilst Victorian ideology is not outwardly challenged in the novels, as liberation sexual or otherwise is entirely condemned, investigating the function of the masculine reveals a somewhat radical gender ideology which contests Victorian expectation. In general, critics comment on oppression of the female within the Victorian period and overlook the same subjugation faced by men.

Masculinity in victorian gothic novels

If the main interest of gothic fiction is otherness, however multifaceted, the image of reality that is represented there stresses not its structured mechanism of laws and prohibitions, but its relational and inherently arbitrary character.

By offering an overview of some well-known gothic heroes, such as those presented R. Methuen, Macmillan, If his lips are silent, he chatters with his finger-tips; betrayal oozes out of him at every pore.

The 3 Ellen Brinks, Gothic Masculinity. Associated University Press, English literature and male homosocial desire New York: Basic Books, The crisis in hegemonic masculinity that the Gothic depicts is also, ultimately, the crisis of the whole culture, its social regulations and politics.

For an extension of this theme see, for example, Donna Heiland, Gothic and Gender: Cambridge University Press,4.

Routledge, Masculinity and the Gothic Ann Arbor: The University of Michigan Press, Oxford University Press, Manchester University Press, The Literature of Subversion London: There is something wrong with his appearance; something displeasing, something downright detestable.

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A city in distress London, where, perhaps for centuries to come, [Dracula] might, amongst its teeming millions, satiate his lust for blood, and create a new and ever widening circle of semi-demons to batten on the helpless.

The gender politics of Dracula rests on the fear of effeminacy on the one hand and of masculinity as inherently degenerate on the other. The feminized figure of the vampire turns the invasion of London into the threat of emasculation, thus, historically, countering the danger posed to the existing gender system by the aesthetes and the New Woman.Masculinity In Victorian Gothic Novels Essay add: , / Views: In both Robert Louis Stephenson's The Strange Case of Dr Jekyll and Mr Hyde and Bram Stoker's Dracula, social expectation reveals anxieties surrounding sexuality in the Victorian period.

Presentation Of Masculinity In Victorian Gothic Novels English Literature Essay.

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Robert Louis Stephenson’s The Strange Case of Dr Jekyll and Mr Hyde and Bram Stoker’s Dracula are novels which confront the anxieties surrounding preservation of reputation in terms of both sexuality and gender expectations in Victorian Britain.

dualism of both Victorian masculinity and the period more generally,1 in contemporary discourse and neo-Victorian literature. This epitome of rational progress has ironically become a sign of cultural haunting – and disturbing imbrications of Victorian and postmodern The Neo-Victorian Doctor and Gothic Masculinities Presentation Of Masculinity In Victorian Gothic Novels English Literature Essay.

Masculinity in victorian gothic novels

Robert Louis Stephenson’s The Strange Case of Dr Jekyll and Mr Hyde and Bram Stoker’s Dracula are novels which confront the anxieties surrounding preservation of reputation in terms of both sexuality and gender expectations in Victorian Britain.

played an integral role in destabilizing Victorian masculine gender dominance, causing anxiety in the face of dramatically changing social standards for the family.

Masculinity in victorian gothic novels

2 The two major shifts contributing to this instability – the transition from the 1 Smith, Andrew. Victorian Demons: Medicine, Masculinity and the Gothic at the Fin-de-siècle.

Introduction to The Victorian Gothic | Great Writers Inspire

played an integral role in destabilizing Victorian masculine gender dominance, causing anxiety in the face of dramatically changing social standards for the family. 2 The two major shifts contributing to this instability – the transition from the 1 Smith, Andrew.

Victorian Demons: Medicine, Masculinity and the Gothic at the Fin-de-siècle.

Masculinity in Gothic fiction | Katarzyna Wieckowska - regardbouddhiste.com